Million dollar baby characters
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Eastwood is challenging his audience.This show is a comic melodrama in two acts, which include the Chicago fire.
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Like life, there are some small triumphs in "Baby", and we should take some comfort in them. Fate plays its hand - sometimes with you, sometimes against you. There are other factors at work in this world. If you think you can "protect yourself" and "be careful", you're wrong.
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Life is unfair it's full of disappointment and regret.
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But anyone who has lived for more than five years (except maybe Paris Hilton) knows that's not how life is. We're used to the simple Bruckheimer Blockbuster endings - everything wrapped up in a neat package, everyone avenged, bad guys getting their comeuppance.
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We want to see these people get punished for their sins. It's going to frustrate you and make you question why you set foot in the theater. "Million Dollar Baby" is going to make you angry. Haggis' script walks a tightrope above emotional manipulation (Maggie's family is a little too evil, as is one of her key boxing opponents). It's ironic that a man who used to specialize in characters that dispensed frontier justice now, in his later years, excels at making films without easy solutions. It's about life and death and choices and regret. Toole stories "Rope Burns"), unveils the true colors of his film. Eastwood, working from a subtly poetic script by Paul Haggis (from the F.X. Eastwood, who, conversely, lets his trademark scowl make way for a heartwarming smile or two.ĭuring the final act of the film, Mr. Freeman's voice, in particular, has an extra note of grit to it, perhaps taking a cue from Mr. While they've both done turns on these characters before, there's something even more lived-in in these performances. Freeman are two actors in their golden years still working at the top of their respective talents. When she says "you're all I got, Frankie", we believe it. Swank spent time living in a car with her mother while trying to make it in Hollywood. There's a certain poetry in that she got her big break in the near-unwatchable "The Next Karate Kid" and here gives her best performance yet, besting her Oscar turn in "Boys Don't Cry", as a different kind of pugilist. Secrets and past regrets are withheld at first, but they are revealed organically and are never easily resolved. Swank's eager Maggie Fitzgerald and Morgan Freeman's old school boxer Scrap are beautifully textured. The scenes in the film have a rhythm which is seldom seen in a mainstream Hollywood release.
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Eastwood also wrote the simple, appropriate music for the film he's not making a movie here, he's composing. Eastwood and his cast earn all the accolades they have coming to them. The film is made with a classical style and, with Baby", Mr. Eastwood's hand at direction has never been more sure. "Million Dollar Baby", the story of the relationship between a 30ish female boxer and an over-the-hill trainer, is easily Mr. While I thought "Mystic River" was a good film, I thought its over-the-top performances and shades of black and white made its praise overrated. For every "Unforgiven" (still his reigning masterpiece) there is "True Crime", "Blood Work" and "Space Cowboys". Every once in a while Clint Eastwood will still surprise you.